Trisilla
“3 in 1” stackable seating system. Its design allows the separation of the pieces even when in use. They were conceived with a minimal morphology and in different scales, giving priority to the reading of the system as a three-dimensional grid. Ricardo Blanco was one of the leading figures in furniture design whose specialization in seating led him to publish “Sillopatía” in 2003 and “Diseño de Mobiliario Argentino Actual”, among other investigations where he develops a construction method to arrive at unprecedented typologies. His pieces are part of design collections such as those of the MoMA in New York, the LACMA in Los Angeles and the Museum of Modern Art in Buenos Aires.
- Authorship — Ricardo Blanco
- Object Type — Chair
- Material and Technique — Laminated wood, solid wood and iron
- Measurements — Big chair: 50 x 50 x 82 Medium chair: 45 x 47 x 75 Small chair: 42 x 47 x 70 cm
- Origin — Argentina
- Dating — 2002
- Condition — Original
Ricardo Blanco
TRANSFORMATIVE DESIGN
An emblem of Argentine design, Ricardo Blanco (Buenos Aires, 1940-2017) revolutionized the concept of furniture with his playful and conceptual approach. He began his career as an architect at the University of Buenos Aires and continued as a designer from the sixties until he established himself as an undisputed figure in Argentine design.
He was a member of the National Academy of Fine Arts, where he made publications that promoted design as a major art form. He was also the curator of the design collection that is part of the Museo de Arte Moderno de Buenos Aires.
He transcended the borders of the country, projecting his creativity in pieces like the iconic Placa chair, which is part of the collection of the LACMA museum (Los Angeles) and MoMA (New York). His work is currently included in public and private collections such as the IDA Foundation, the Museum of Decorative Arts in Paris, among others.
His work extended design beyond the utilitarian, venturing into utilitarian sculpture and conceptual design. Blanco not only left a legacy of innovation with his works but also through his educational and cultural commitment, sharing his knowledge as a teacher and curator, and contributing significantly to the training of future generations of designers in Argentina and Latin America.
